A handful of musical instruments are so closely associated with certain artists that the instruments themselves are known by their first names.
Maybe you've heard of Lucille, B.B. King's favorite guitar, or Eric Clapton's Blackie, the famous Stratocaster you see photos from the 1970s.
But in the rarefied world of musical instruments known by their first names, none are quite as elite or historically significant as that beat up old warhorse Trigger. It's an acoustic guitar that's as much a part of the iconography of Willie Nelson as his braids or bandanna an instrument so cherished by its owner and considered so irreplaceable that it travels with its very own 24/7 bodyguard.
A few days before Christmas, I got a call that Nelson would be spending a little time in Hawaii, a recharge of sorts before the next tour. Trigger wouldn't be traveling with him, instead he would be returning to Texas for some repair work. Would I like to come and see? Would I ever. (Texas Standard)
Mark Erlewine began playing music when he was 6 years old and continues to play pedal steel guitar today. He first started working on guitars in 1969 when he apprenticed as a luthier to his cousin, Dan Erlewine, owner of a guitar shop in Ann Arbor, Michigan. After completing his apprenticeship, Mark and Dan became partners, and Mark bought the business outright in 1972 when Dan decided to take a full-time position with Herb David Guitar Studio. Dan now works at Stewart-MacDonald and is world-renowned for his many how-to books and videos on guitar repair.
In early 1974, Mark got a call from his good friend and former bandmate, James Machin, urging Mark to come to Austin and check out the amazing music scene that was happening there. Mark visited and immediately knew it was the right place for him. He moved the shop in 1974 from Ann Arbor to Austin and has been an integral part of the music scene ever since. (Erlewine Guitars)
If you grew up in the 1980s, chances are you instantly recognized the guitar pictured above. It is the so-ironically-small-it's-cool humbucking monster Marty McFly plugs into an enormous amp at the start of Back To The Future. (String Box Anthropology)
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Bobby Tony said:
( January 9th, 2017 @ 4:45 pm )
I have a fairly long article about our family musical history that I may try to dust off and condense with the collage. As you might suspect, my Grandpa Diaries are much more emotional and personal than the edited versions I post on BCN.
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Bobby Tony, I love this collage. You are doing some serious fretting there.
Can you make this into a post, with that collage? The very idea that you had a Martin and a Gibson is so cool. I have always had poorly named guitars, so, I am very impressed by your past possessions. You and I might should hook up and write some country songs. How much do you know about: drinking, cheating, lost dogs and football? |
I still would rather have my guitar whole.
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I agree, but there is no way I would attempt to cut a hole in one of those. It is a testament that both Willie and Trigger grew old together. Now that is a love story.
It helps that it started out as a C.F Martin. I had started a post about the Martin Factory in Nazareth, Pennsylvania, but decided it was a bit too esoteric for the general audience. If, however, anyone is interesting in true craftsmanship the top of the line product is still made in America. Here is the link to a 1 ˝ hour tour of the factory. Naturally, they make some Guitars in Mexico with laminate for those of us who cannot do justice to a work of art with our meager hands. beaufortcountynow.com |
The guitar itself is an enigma, and has its own trademark sound that could never be duplicated. I believe the cause to be the gaping hole in the sound chamber, the box of the guitar.
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